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- <text id=94TT1499>
- <title>
- Oct. 31, 1994: Theater:Club Adriatic
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Oct. 31, 1994 New Hope for Public Schools
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/THEATER, Page 78
- Club Adriatic
- </hdr>
- <body>
- <p> The Odyssey onstage? Yes, in Derek Walcott's adaptation
- </p>
- <p>By Richard Corliss
- </p>
- <p> Hubris--a kind of convulsive, ambitious pride--was the
- tragic flaw in many a Greek hero, but it is life's blood to
- theater people. What else gives them the courage to put epic
- dreams on a bare stage, to evoke ancient empires with only words
- and a few props? Arrogance is the mother of theatrical invention,
- and the spur to Douglas C. Wager's new production of Derek Walcott's
- The Odyssey at the Arena Stage in Washington.
- </p>
- <p> Walcott, the Nobel-winning West Indian poet whose 8,000-line
- Omeros hijacked Homer to the Caribbean, here packs the major
- events of the Odyssey into three brisk hours and still has room
- for his voluptuous metaphor making and severe truth telling
- ("What are men? Children who doubt"). After a slow start, in
- which stilted heroic attitudes virtually define Bad Regional
- Theater, Odysseus appears, in the burly, assured person of Casey
- Biggs, and the play takes off. Mythology can be fun when Circe
- is a sassy dominatrix, the Sirens are mermaids out of a Bette
- Midler show, and Helen of Troy is a peckish, past-her-prime
- star who puts on airs--Bea Arthur trying to be Bea Lillie.
- All this to Galt MacDermot's bouncy, familiar music--it could
- be played in the lobby at a Club Med hotel.
- </p>
- <p> When this Odyssey gets going, it's not just an adventure; it's
- a trip. Anything from flowers to fire may pop out of the sunburnt-orange
- floorboards. A stormy sea comes to roiling life with just a
- tilted spar and a few sprawling actors. By the end, the Arena
- has become a playroom filled with spritely wonder.
- </p>
- </body>
- </article>
- </text>
-
-